Soundproofing and technical rooms

Sound gets through the smallest gap.

A poorly sealed electrical box, a screw that reaches the stud, a duct without a baffle: one detail is enough for a soundproofed wall to stop working. Soundproofing happens behind the drywall. That is where we work.

A soundproofed wall, layer by layer

7 layers · 7 hold points
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What we close in
behind the drywall.

Every layer has a job: mass, spring, damping, airtightness. And each one has its hold point before the next.

01 / 07 Drywall, neighbour's side

Hold point

How a wall stops sound

Horizontal section
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  1. 1Two layers of 16 mm (5/8 in.) drywall
  2. 2Damping compound between the layers
  3. 322 mm (7/8 in.) furring channel
  4. 4Decoupling clip
  5. 52×4 stud (38 × 89 mm) at 406 mm (16 in.) o.c.
  6. 6Acoustic insulation, not compressed
  7. 7Two layers of drywall, neighbour's side

Mass

Two layers of drywall instead of one. Doubling the mass of a wall gains about 5 to 6 dB.

Decoupling

The two sides of the wall never touch. The drywall is screwed to furring channels mounted on resilient clips: vibration no longer travels through the framing.

Damping

A viscoelastic compound between the two layers turns vibration into heat, especially in the low frequencies.

Airtightness

An opening of 1% of the surface can cost half the performance. Every joint, every electrical box and every duct is sealed.

Typical values
2×4 studs, one layer of drywall on each sideSTC 33 to 35
The same wall, with insulationSTC 36 to 39
Decoupling clips, furring channels, insulation, double drywall and compoundSTC 55 to 60
Double stud wall, insulation, double drywall and compound on both sidesSTC 60 to 65

Laboratory values, for reference only. On site, the result depends on sound travelling through floors, ceilings and ducts, and on the quality of the work. The STC rating stops at 125 Hz: for a listening room with subwoofers, we aim higher than the rating.

What we soundproof

  1. 01

    Listening rooms and home theatres

    A room within a room: decoupled walls, a ceiling hung on clips, an acoustic door, ventilation through baffles.

  2. 02

    Walls and floors between units

    Duplex, triplex, condo: voices on one side, footsteps above. The code sets a minimum between units; we can aim higher.

  3. 03

    Studios and home offices

    To record, or simply to work without hearing the rest of the house.

  4. 04

    Mechanical and technical rooms

    Furnace, heat pump, server room: we contain the noise at the source.

  5. 05

    Meeting rooms and offices

    Commercial work: partitions built up to the slab, treated plenums, conversations that stay in the room.

Before closing in

The soundproofing hold points.

Every point is checked and photographed before the last board goes up. The photos go into your portal.

With the acoustician

Their drawings, built to the letter.

When the stakes are high, an acoustician designs the assembly and measures the result. We build to their drawings as issued, we record every gap between the drawing and the site, and we have them rule on it before we act.

Right now, we are building a hi-fi listening room this way: a room within a room, decoupled walls and a ceiling hung on clips, with a target of STC 55.

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